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The Aunty Jack Show : ウィキペディア英語版
The Aunty Jack Show

''The Aunty Jack Show'' was a Logie Award–winning Australian television comedy series that ran from 1972 to 1973. Produced by and broadcast on ABC-TV, the series attained an instant cult status that persists to the present day.
The lead character, Aunty Jack was a unique comic creation — an obese, moustachioed, gravel-voiced transvestite, part trucker and part pantomime dame — who habitually solved any problem by knocking people unconscious or threatening to 'rip their bloody arms off'. Visually, she was unmistakable, dressed in a huge, tent-like blue velvet dress, football socks, workboots, and a golden boxing glove on her right hand. She rode everywhere on a Harley-Davidson motorcycle and referred to everyone as "me little lovelies" — when she was not uttering her familiar threat: "I'll rip yer bloody arms off!", a phrase which immediately passed into the vernacular. The character was devised and played by the multi-talented Grahame Bond and was partly inspired by his overbearing Uncle Jack, whom he had disliked as a child,〔Rob Johnson & David Smiedt, ''Boom-boom! A Century of Australian Comedy'' (Hodder & Stoughton, Sydney, 1999), p.189〕 his grandfather (Ben Doyle ) and Dot Strong the ABC's last official tea lady.
==Background==
An architecture graduate of Sydney University, Bond was already an accomplished writer, producer, comedian, singer, songwriter and guitarist by the time he graduated. He cut his teeth writing and performing as a founder member and leading light of the University's legendary Architecture Revues from 1964-69. It was here that he met and became friends with other Sydney students including Geoffrey Atherden, Maurice Murphy and Peter Weir, who became Australia's most internationally acclaimed film director. Through these stage revues Grahame also met his longtime musical, writing and acting partner Rory O'Donoghue, who had begun his performing career playing The Artful Dodger in a Sydney production of the musical ''Oliver!'' as well as being the lead singer and guitarist in the Sydney rock bands The Pogs and Oakapple Day. Rory was only 14 at the time he met Bond, when The Pogs were brought in to provide musical backing for one of the Architecture Revues.
After graduating, Grahame and friends continued working together on a wide range of projects in film, TV, radio and theatre. He collaborated on several short films and stage pieces with Peter Weir, and wrote and played in a number of stage comedies and revues. The success of Bond's work in the Architecture Revues led to a professional stage revue for the PACT Theatre Company, ''Balloon Dubloon'' (1969) with Peter Weir, which in turn led to an invitation from festival director Sir Robert Helpmann to stage a revue, ''Drip Dry Dreams'' at the Adelaide Festival and Richbrooke.
Through Bob Allnutt, a staffer at the PACT Theatre Company who also worked for the ABC's Religious Affairs Department, Weir, Bond and friends were commissioned to produce a TV special, ''Man On A Green Bike'', a fantasy that examined three different views of Christmas; this screened on ABC-TV at the end of December 1969. The 50-minute film, which was Bond's first known TV appearance, was co-written by and starred Bond and Peter Weir, with Geoff Malone, James Dellit, and Anna Nygh. The story concerned three men, once friends sharing many adventures, who are now mayors of three cities—medieval Ackley, the futuristic Cadmium, and Petal Lake, a community reminiscent of the 1930s. Into their midst comes the strange figure of Mr. Maloon, a man travelling on a heavily laden green bike, whose presence disturbs and embarrasses the mayors.〔Johnson & Smiedt, 1999, p.190〕
During 1970 Bond, Weir and co. created and performed the revue ''Filth'' at the Phillip St Revue, followed by ''Hamlet On Ice'' at the Nimrod Theatre. Bond's friendship with Weir led to him writing the music for the three-part AFI Award-winning 1970 film ''Three To Go'' (in which he also had a small acting role), for which Weir directed one segment. Bond also provided the music and played a leading role in Weir's first film, the 1971 short feature ''Homesdale''.

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